Jonathan Harnum

How Playing an Instrument Benefits Your Brain (vid)

This animated video is a great introduction to what’s going on in your brain when you’re making music. There is more information about practice and the brain in The Practice of Practice, chapter 3: Your Plastic Brain . Check out the video below, and see the full page with more information about the creators of the video here. ___________________________________ Back-To-School Specials On…

Plays Well With Others: Why Practice Alone?

One of the many things I discovered while doing research for The Practice of Practice is that music practice can be a lot more than just sitting alone in a room working on technique. That part is important, but it’s hardly everything. One of the most in-the-shed, hard-practicing musicians to ever play is John Coltrane. Check out him practicing with a drummer below, and the same tune with a full band (including Miles)…

Do YOU Know the Muffin Man? Imitation in Music Practice

Jimmy Fallon and Adam Levine of Maroon 5, spar in a hilarious (and impressive!) with musical impressions of Frank Sinatra (Head, Shoulders, Knees, and Toes), Bob Dylan (Rude), Michael Jackson (Sesame Street Theme Song), Iggy Azalea (Old MacDonald Had a Farm), and Eddie Vedder (The Muffin Man). All serious musicians do it on the road to getting better. Find great tools to imitate below….

Fiddling With Your Brain (Music Practice and the Brain)

Music practice changes the brain. Heck, just about everything we do changes the brain, so this is, of course, no surprise. But music practice changes the brain in specific, useful, and interesting ways.

Michel Blows a Serpent (Practice Playing In Tune)

Want to learn to play in tune? You should. Read on. Playing in tune is a skill often overlooked in practice. Here’s a great example of playing in tune: Michel Godard playing a serpent. The serpent is an ancient low-voiced instrument similar to the Medieval cornetto, and it produces a mesmerizing sound in the hands of a master like Godard (see the vid below or listen to the mp3).

Playing With Yourself: Practice Gadgets

I’m always looking for examples of musicians doing cool things with loops; people like Andrew Bird. A friend turned me on to this video by Mike Love that’s one of the best examples I’ve come across. Especially impressive is the looping that starts around 4:20.

Practice Like a Chef

When you sit down to practice, adopt this attitude:

Nicholas Barron: Performance As Practice

Chicago singer-songwriter Nicholas Barron is another musician who told me, "I never practice." What he meant was that he didn't do conventional kinds of practice, the kind required by classical and band music. Check out how he got so good….

Stare With Your Ears

Hardenberger is working with young trumpeter Elizabeth Fitzpatrick. First, notice the difference in tone and musicality between Ms. Fitzpatrick and Mr. Hardenberger. Pretty amazing. But what’s really helpful is what Hardenberger tells her about listening.

Jazz Guitarist Bobby Broom Talks Practice

It was mainly about the music and just wanting to get it right. ~ Bobby Broom ~ I’ve done a lot of interviews with stellar musicians like Bobby Broom about music practice, but this was one of the coolest, not only because I’m a big fan of his, and not because he speaks so eloquently and…

Want to Practice Better? Forget About “Natural” Ability.

One of the most important chapters in The Practice of Practice–chapter 6–has nothing to do with practice directly, it has to do with what you think about musical talent. Is musical ability “natural,” a gift of genetics? Is it something you’re born with? Something you either have or you don’t? Or is musical talent earned through exposure and effort? Your answer will have a profound impact on your practice: your motivation to practice, how you approach practice, whether you persist in the face of challenges, and how deeply you learn when you do practice.

Erin McKeown Talks Practice

Erin McKeown first opened my eyes about how practice can be very different depending on the kind of music you’re making. The kind of creative approach Erin uses to get better is covered in more detail in Chapters 26 and 38 of “The Practice of Practice,” available on Amazon. Below is a recording of my 2011 interview with Erin, talking about how she gets better.