Constrain Yourself: Creativity in Practice

Writers, musicians, visual artists, or any other person who relies on creativity for their well-being–whether spiritual, mental, or monetary–knows that ideas like inspiration, talent, or some other idea that makes us believe that things should be “easy,” are often more hindrance than help. It’s work. And that’s not a bad thing.
What’s great about hearing Jack White speak about his own process is learning about the constraints he puts on himself. There is also this gem about why constraints are so important, and how surfeit can suck the juice out of creativity:

Place and Practice: Singing Into a Waterfall

Where you practice matters. For example, singing at the top of your lungs into a waterfall might be the perfect place to practice is you want to become a great Pansori singer.

Intangible Asset No. 82 is a wonderful documentary that tells the story of Australian drummer Simon Barker’s quest to meet a Korean shaman, master drummer, and grand-master improviser Kim Seok-Chul. During Barker’s journey he meets some interesting characters, including Bae Il-Dong, a Pansori singer who practiced for seven years by singing into a waterfall. Intrigued? In this preview, Bae Il-Dong will be the second person you see and hear. He’s hard to miss.

Getting Loopy: Elijah Aaron covers TLC’s “No Scrubs”

Loop pedals are such a great way to have fun while you practice, no matter what instrument you play. You hone your rhythmic skills, you focus on a short snippet of music at time, you can layer these snippets to your heart’s content, and best of all, you receive immediate feedback. Here’s Elijah Aaron showing us how it’s done right, with a cover of TLC’s No Scrubs

Practicing Performance: How to Beat Stage Fright

Most professional musicians I’ve spoken with about practice believe that the performance is one of many forms of practice. Some use performance specifically as their only practice. For those who practice alone or are shy, a good performance requires skills that aren’t honed in the practice room. You’ve got to just get out there, do it, and learn from it. This fun TED talk by Joe Kowan is a perfect example of practicing performance, and using creativity to enhance practice.

Score Study 2.0: Stravinsky’s “Petrushka”

This interactive score of Petrushka is a gold mine for anyone interested in the piece. Stravinsky wrote Petrushka when he was 28 years old, in 1910-11. It’s a wonderful piece of music, and even if you’re not a classical musician, this site is a feast for the mind and the ears. Follow along in the highly interactive score, learn about what the different parts represent, learn about the historical context, and listen to commentary from music luminaries on the piece. There is something for everyone here: players, teachers, and even young children.

Tiny Desk: Big Awesome. Laura Mvula Concert

Live music is great for practice motivation. When you hear a musician perform live, you get the real deal. No auto-tune, no studio manipulation, just a person, communing with her muse, and letting you share the experience. Live music is a gift that keeps on giving. A great performance (and even a bad one) can give your practice a shot in the arm. Laura Mvula’s Tiny Desk concert is wonderful (video below).

Small Percussion: Perfect Gift for Musicians

Check out trumpeter Lee Morgan and alto saxist Wayne Shorter play small percussion on this killing performance by Art Blakey and the Jazz Messengers. They’re playing Dizzy Gillespie’s tune, Night in Tunisia. Gotta be one of the best versions around.

Jymie Merritt’s burning fast bass solo is accompanied by some precise hits from all the small percussionists (starts @ 4:00).

The next several posts will focus on the small percussion instruments below and will include videos explaining techniques for these small instruments you can easily toss into your gig bag.

Happy Birthday, Jaco

Jaco Pastorius is one of the more influential musicians of the 20th century. If you’re an electric bass player, you know Jaco is the most influential musician of the 20th century.

His sound and musicality changed how the electric bass is played. You can still hear Jaco’s sound, his techniques, and his licks in many different styles of music today, from hip hop samples to hard rock to jazz and pop. Check out his discography, and don’t forget to search for Weather Report, too. The tune below is on one of their best albums, Heavy Weather.

One Source of Talent: Everything Counts (In Large Amounts)

Researchers are not yet sure if “natural” talent exists. Pretty solid arguments can be made for either side, but in my opinion, the strongest evidence seems to tell us that “natural” talent is a myth. The myth of “natural” talent is so pervasive because it’s impossible to see all the ways someone has practiced throughout their lives, and by practice, I’m talking about exposure as well as the diligent sit-in-a-room-by-yourself kind of practice. Everything counts.

But whatever the reality is, you have to check out this video of DMK playing a cover of Depeche Mode’s tune Everything Counts. The letters DMK stand for Dicken Schrader and his kids Milah and Korben. The ending is great because it’s then clear this video isn’t cobbled together from a bunch of different takes, but is one clean performance, probably a long time coming based on their reactions. Great stuff. Thanks for sharing, Schraders!

Universal Musical Mind: Bill Evans on Creative Process and Self-Teaching

Bill Evans is a genius whose ideas about music, and his music itself are still fresh and invigorating and necessary. Evans played piano on the best-selling jazz album of all time, Miles Davis’s Kind of Blue; he was nominated for 31 Grammys and won 7, including a lifetime achievement award. There are too many gems from Evans in these 5 short videos to list, but some of the good stuff include Evans’s thoughts about the universal musical mind, composition vs. improvisation, learning to improvise, and so much more.

Kenny Werner’s Practice Snapshots

Pianist Kenny Werner’s book Effortless Mastery has helped a lot of people who struggle with the fear of performance. He’s started a new blog, and part of the blog is a series of videos on how he practices. I’m excited to hear and watch these videos, and encourage you to check them out the first three below.