Most people would succeed in small things if they were not troubled with great ambitions. ~Henry Wadsworth Longfellow A journey of one thousand miles begins with a single footstep. ~Confucius _________________ A few days ago I realized that posts for the last few months have been interviews, with little writing, and I miss writing, because…
Category: Master Musicians
Ingrid Jensen: Jazz Trumpeter on Practice
Really get it together as it’s supposed to go, but also explore with it; take it down the road, take it for a walk around the block, climb to the top of a building and come back down with it, and then come back and play it exactly as it’s supposed to be as well….
Colin Oldberg: Principal Trumpet, Hong Kong Phil.
Colin Oldberg is an excellent player who has played with the Chicago Symphony Orchestra and earned a spot on the first YouTube Orchestra and has played Carnegie hall twice. He’s also part of a fantastic brass quintet, Axiom Brass. There’s a link to the full length mp3 of the excerpt from the beginning of the show. Colin talks about practice.
Erin McKeown: Singer-Songwriter on Practice
Music is unique. The more I know about how it works, the deeper it gets; the better it becomes.
~ Erin McKeown, from the Interview
Check out what the excellent singer-songwriter Erin McKeown has to say about music practice. I’ve been a fan of Erin’s since hearing Distillation in 2000. Erin plays guitar, piano, drums, and bass and has recorded albums. I learned of her through one of many interviews with Erin on NPR, this one on The World Cafe, a most excellent show hosted on WXPN in Philadelphia and hosted by David Dye. Great stuff! Erin’s got 12 albums out, and they’re all worth owning. My favorite 3 albums are Distillation, Grand, and Hundreds of Lions.
Chad McCullough: Jazz Trumpeter on Practice
Check out the interview with Seattle-based jazz and classical trumpeterChad McCullough. Last year at the Lionel Hampton International Jazz Festival, Chad and I met and after a quick chat he agreed to talk with me about practice. Not only is Chad an excellent trumpet player, he’s also got piano chops, and this influences his trumpet playing. Listen to the podcast to learn his thoughts about trumpet playing and practice. McCullough just returned to Seattle after a tour of Belgium and release party for his latest album, Imaginary Sketches (out 2-15-11), from Origin Records in the states, and De Werf in Europe. He’s a busy guy and has some other great stuff out, too, including an excellent album from The Kora Band, and he was generous enough to let me use a tune from their latest album to open the podcast. The clip that opens the interview is Over-caffeinated and Under-fed. The Kora is a West-African stringed instrument that has a great sound. It sounds a bit like a Celtic harp, but with a different attitude and more rhythm. Oh, and a giant gourd. Here’s a video clip of Kora master Toumani Diabaté in action. Chad has interesting things to share about practice and how he thinks about music that I found both interesting and useful. Hope you enjoy the interview. Have fun and good luck with your practice.
Nicholas Barron: Chicago Singer-Songwriter on Practice
A talk with Chicago singer-songwriter Nicholas Barron who has an interesting take on practice. Check out the site for a free mp3 of Nicholas’s music.
In the course of the interview Nicholas said, “That’s what a lot of people do; they practice in a room and they don’t get anywhere. It’s really about practice being life, and life being practice.” Check out the whole interview if you want to understand what he means.
Podcast Ahoy!
Well, I’ve got a few interviews in the can and will be editing and processing them in the coming weeks. The next post to this podcast will have an interview with Nicholas Barron, singer-songwriter from Chicago, followed by interviews with classical trumpeter Colin Oldberg (principal trumpet w/ the Hong Kong Symphony Orchestra), Singer-Songwriter Erin McKeown, jazz trumpeter Chad McCullough, and the most excellent Chicago Symphony Orchestra Tuba player Rex Martin. There are more interviews in the works, too, including (tentatively) Ingrid Jensen, Bobby Broom, and Josh Ritter. Stay tuned. When that first one is posted, be sure to subscribe to the iTunes podcast feed to download future interviews automatically. The first one should be up by mid-March.
Lessons from a VW
Last Saturday at the Lionel Hampton Jazz Festival, I went to listen to Victor Wooten give a clinic. A while ago I posted a review of Victor’s book The Music Lesson, which is up for an audiobook award. For the clinic, Victor Wooten played with the fantastic and funny bass player (yes, there is another bass player in his band) Anthony Wellington; legendary jazz bassist John Clayton showed up for an improvised tune or two. The clinic was a fantastic example of playing, teaching and telling it straight. It was so good and inspirational, I knew it would be worth sharing.
Cross-Training
We all should know that diversity makes for a rich tapestry, and we must understand that all the threads of the tapestry are equal in value no matter what their color. ~Maya Angelou ——————- Want to learn more about the best ways to practice? Get an e-mail with a discount code when The Practice of Practice…
Quality v. Quantity
Some research shows that the amount of time doesn’t really matter, although it does matter a little since if you spend zero hours doing something, you’re not going to get better at all. But it turns out that the number of hours practiced doesn’t really matter, it’s all about the quality of your practice. What you do is important, but not how much you do. Duh, right?
This seems like a no-brainer issue, but researchers are notoriously skeptical about common-sense issues. We want to know for sure whether things are true. That’s one of the reasons behind a study by Duke, Simmons, & Cash (2009), titled It’s not how much; it’s how: Characteristics of practice behavior and retention of performance skills. These researchers had 17 graduate and advanced undergraduate piano players practice a 3-measure excerpt of Shostakovich’s Concerto No. 1 for Piano, Trumpet and String Orchestra (here’s a clip of Shostakovich himself playing part of it). Here’s the excerpt:
Book Review: “Free Play,” by Stephen Nachmanovich
Free Play doesn’t deal directly with music practice, but it is nevertheless an important book for anyone interested in music (or other arts, or life). I strongly believe that improvisation benefits practice. To me, improvising is an essential musical skill, one possessed by musical greats (Hussein, Bach, Shankar, Beethoven, Duke, Mozart, etc.), and is practiced in musical traditions all over the world, as well as by young children who haven’t developed some of the fear associated with improvisation in those overly focused on the written notes. Remember when you drew letters over and over as a young child, taking great care (or not) with the shapes? Now imagine that despite all that practice time forming letters and sounding out words, that you never (ever) spoke extemporaneously. Crazy, right? To me, that’s about the same as practicing scales over and over until they’re memorized, but then never using that tonal material to improvise. Crazy talk! At the end of this review is a link to an mp3 of my improv group Meh! playing an improvised story with Nachmanovich.
When is Not-Practicing Practice?
A new piece of research shows that the “inherently unpleasant” idea about deliberate music practice may not be entirely true. In fact, we may continue to learn when we’re doing something completely different from that which we’re practicing.
The Practice of Practice 