Yo-Yo Ma is a world treasure, and his perspective, playfulness, artistry, and educational inclinations make him one of my absolute favorite musicians. His Silk Road Project creates some of the most interesting musical collaborations I’ve ever heard. Check out the video below. I think you’ll agree. Below the video is a link to a wonderful interview with Yo-Yo Ma in which he talks about a wide range of topics, including–you guessed it–practice.
Tag: music practice
Plays Well With Others: Why Practice Alone?
One of the many things I discovered while doing research for The Practice of Practice is that music practice can be a lot more than just sitting alone in a room working on technique. That part is important, but it’s hardly everything. One of the most in-the-shed, hard-practicing musicians to ever play is John Coltrane. Check out him practicing with a drummer below, and the same tune with a full band (including Miles)…
Do YOU Know the Muffin Man? Imitation in Music Practice
Jimmy Fallon and Adam Levine of Maroon 5, spar in a hilarious (and impressive!) with musical impressions of Frank Sinatra (Head, Shoulders, Knees, and Toes), Bob Dylan (Rude), Michael Jackson (Sesame Street Theme Song), Iggy Azalea (Old MacDonald Had a Farm), and Eddie Vedder (The Muffin Man). All serious musicians do it on the road to getting better. Find great tools to imitate below….
Michel Blows a Serpent (Practice Playing In Tune)
Want to learn to play in tune? You should. Read on. Playing in tune is a skill often overlooked in practice. Here’s a great example of playing in tune: Michel Godard playing a serpent. The serpent is an ancient low-voiced instrument similar to the Medieval cornetto, and it produces a mesmerizing sound in the hands of a master like Godard (see the vid below or listen to the mp3).
Playing With Yourself: Practice Gadgets
I’m always looking for examples of musicians doing cool things with loops; people like Andrew Bird. A friend turned me on to this video by Mike Love that’s one of the best examples I’ve come across. Especially impressive is the looping that starts around 4:20.
Practice Like a Chef
When you sit down to practice, adopt this attitude:
Nicholas Barron: Performance As Practice
Chicago singer-songwriter Nicholas Barron is another musician who told me, "I never practice." What he meant was that he didn't do conventional kinds of practice, the kind required by classical and band music. Check out how he got so good….
Stare With Your Ears
Hardenberger is working with young trumpeter Elizabeth Fitzpatrick. First, notice the difference in tone and musicality between Ms. Fitzpatrick and Mr. Hardenberger. Pretty amazing. But what’s really helpful is what Hardenberger tells her about listening.
Want to Practice Better? Forget About “Natural” Ability.
One of the most important chapters in The Practice of Practice–chapter 6–has nothing to do with practice directly, it has to do with what you think about musical talent. Is musical ability “natural,” a gift of genetics? Is it something you’re born with? Something you either have or you don’t? Or is musical talent earned through exposure and effort? Your answer will have a profound impact on your practice: your motivation to practice, how you approach practice, whether you persist in the face of challenges, and how deeply you learn when you do practice.
Erin McKeown Talks Practice
Erin McKeown first opened my eyes about how practice can be very different depending on the kind of music you’re making. The kind of creative approach Erin uses to get better is covered in more detail in Chapters 26 and 38 of “The Practice of Practice,” available on Amazon. Below is a recording of my 2011 interview with Erin, talking about how she gets better.
Go Go Gadget Practice
Bach once said of his prodigious keyboard skills something like, “There’s nothing to it; you just push the right key at the right time and the instrument plays itself.”
Do you think somebody who merely pushes a button to make music a musician? See the hilarious video below for a negative example, and the following one for a wonderfully positive example.
The important thing with gadgetry is the willful interaction with sound, not the motor ability. Yes, there are varied levels of physical engagement with the sound-producing device, but again, that’s not the point.
Goals as Fractals and Guerrilla Practice
Hans Jørgen Jensen is an affable cello teacher from whose studio have come cello players who win in international cello competitions and garner spots in top orchestras around the world. He’s a wonderful teacher and an interesting, busy man. There were many gems to admire when he spoke with me about practice, but the one that sticks in my mind, the one that was powerful enough to make it a chapter in The Practice of Practice was the power of goals. Another chapter covers what I’ve called Guerrilla Practice: snatching a tiny fragment of practice when you can, either once a day or, ideally, throughout the day. Both are covered briefly below.
The Practice of Practice 