Those with love and passion and curiosity will see everything as useful in some way. Some call it the “enchantment with everyday objects.”
The next time you think you have to have an expensive instrument to make music, remember this video. I got all choked up. Brilliant!
Category: video
Are You Past-, Present-, or Future-Oriented? It Matters.
I’ve been intrigued by animated talks from the great peeps at RSAnimate. This one is a talk by Philip Zimbardo called, The Secret Powers of Time. According to over 30 years of research, Zambardo says we have discovered that the way we think about time has a profound impact on our behavior, including the behavior of music practice.
Motivation Station: Do Incentives Work?
If you’ve got 10 minutes, check out this quick animation from the good folks at RSAnimate about some interesting studies of motivation presented by Daniel Pink (taken from his book on motivation, Drive).
Even though the topic of this talk on motivation takes a business-oriented bent, I found myself using the ideas to assess my own relationship with practice and with music and with my other chief love, writing. Interesting that for mastery motivation he cites music.
Festive Overture by Shostakovich: Royal Stockholm Philharmonic, 2009
Here’s a YouTube gem: Festive Overture, written by Dmitri Shostakovich in 3 days! Premiered in 1954. All artists are a mash-up of their influences, and we all steal from each other to make new creations. This piece Shostakovich based on a piece from Glinka 100 years earlier (Russlan and Ludmilla).
Michel Godard Blows the Serpent: Phrygian Mode
This is an excellent musical performance, and interesting to boot! The frame drum solo at the beginning drew me right in, and when Michel Godard began to play the serpent I was entranced. The serpent is an ancient low-voiced instrument similar to the Medieval cornetto, and it produces a mesmerizing sound in the hands of a master like Godard (see the vid below or listen to the mp3).
This is How Moanin’ is Done
This is a great tune. It’s simple, but very easy to rush those quarter note and dotted quarter note rhythms. If you’re not paying attention, you’re gonna speed up instead of lay it back. Here’s how it’s done right, and Freddie blows a killer improvised solo. (changes in C are here, thanks to MRB) (Real Book, vol. 2 in which Moanin’ appears can be found in C (piano, guitar, etc.), Bb (trumpet, clarinet, t. sax), Eb (alto sax) and bass clef)
Stop! Hey, What’s that Sound?
The more musicians I speak to about practice in preparation for the new book, the more I’m reminded how extremely important listening is to one’s music. In fact, there’s some evidence in published research that all this time spent listening gives us musicians more ability to pull sound out of noisy environments (link to study)….
Practice on a Tiny Drum Set
This has me thinking about portable practice. Would practicing these drum set skills transfer to a real set? Maybe. Either way, it would be fun. There are all kinds of “travel” instruments out there for surreptitious practice: pocket trumpets, travel guitars in many configurations, and now, this drum set. First vid is the drum solo,…
Drone Your Way to Excellence
Several months ago I spoke with the fantastic jazz trumpeter Ingrid Jensen about practice. She mentioned that one thing she liked to do was practice with drones, using an Indian instrument called a tanpura (also tampura). She said that playing against a drone was a great way to train your ear/horn coordination. Practicing with a drone allows you to really feel how it sounds to play every note against the tonic, throughout your range. It’s meditative.
Ingrid Jensen
When I hear a great practice idea, I try it, and I’ve been using this one for a while and absolutely love it. I almost immediately noticed a greater ability to match pitch (my fellow musicians mentioned it in rehearsal), and a deeper awareness of sound in general. Part of the reason for this is that playing with the drone makes me aware of where the horn is naturally out of tune, whether because of the way a horn is made or because of the quirks of the harmonic series.
OK GO [Exclusive!] Making the video Needing/Getting
http://www.youtube.com/watch?v=qae4gAbXOZ8&feature=player_embedded#!
A follow-up to the post from a couple days ago. This project must have been a blast to work on.
The Fruits of Practice Sound Like This: Sidiki Dembele
Yesterday I had the honor of talking with Sidiki Dembele and his wife, Vivian who helped translating some more difficult concepts (thanks, Sidiki and Vivian!).
Sidiki is a fantastic musician from Abidjan, Ivory Coast in West Africa and now living in Manchester, UK. He plays many instruments (ngoni, balafon, kora…), but his main instrument is the djembe. He overcame some serious hardships and put in an amazing amount of time practicing, and it shows.
Resolutions, Goals, and Music Practice
In astronomy, we’re searching for other planets that might be earth-like in what’s known as the Goldilocks Zone: not too hot, not too cold, but just right. There may even be a galactic Goldilocks zone. As far as short-term, immediate goals go, the Goldilocks Zone is a goal that will make you work, make you think, make you strive a bit beyond your current abilities, but which you can achieve in the time you’ve got. If you’ve got 15 minutes, pick one easily-achieved short-term goal and pursue it. All this abstraction isn’t all that helpful, so let me give you a real-world example.
