Category: Master Musicians

Have a Plan, Man! (Axiom Brass)

This ain’t your momma’s brass quintet (vid below). They play contemporary stuff and a great example is a cool section in Anders Hillborg’s Quintet that sounds like a backwards recording. One of my favorite brass ensemble pieces in recent years is the Pacquito d’Rivera’s Three Pieces for Brass Quintet, especially Wapango. Visit their web site to catch that Hillborg clip, or just spend a dollar to buy the mp3. Better yet, get the album, New Standards.

Not Your Daddy’s Metronome: Alem’s Mad Beats

The metronome is a pretty useful tool. At a workshop, jazz trumpeter Dave Douglas said he gave up practicing with a metronome because it’s too mechanical and he felt rhythm and beat was more organic, less mechanical and unyielding. I get that, and agree, but I’ve found the metronome to be useful for especially challenging…

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Festive Overture by Shostakovich: Royal Stockholm Philharmonic, 2009

Here’s a YouTube gem: Festive Overture, written by Dmitri Shostakovich in 3 days! Premiered in 1954. All artists are a mash-up of their influences, and we all steal from each other to make new creations. This piece Shostakovich based on a piece from Glinka 100 years earlier (Russlan and Ludmilla).

Michel Godard Blows the Serpent: Phrygian Mode

This is an excellent musical performance, and interesting to boot! The frame drum solo at the beginning drew me right in, and when Michel Godard began to play the serpent I was entranced. The serpent is an ancient low-voiced instrument similar to the Medieval cornetto, and it produces a mesmerizing sound in the hands of a master like Godard (see the vid below or listen to the mp3).

This is How Moanin’ is Done

This is a great tune. It’s simple, but very easy to rush those quarter note and dotted quarter note rhythms. If you’re not paying attention, you’re gonna speed up instead of lay it back. Here’s how it’s done right, and Freddie blows a killer improvised solo. (changes in C are here, thanks to MRB) (Real Book, vol. 2 in which Moanin’ appears can be found in C (piano, guitar, etc.), Bb (trumpet, clarinet, t. sax), Eb (alto sax) and bass clef)

Words of Wisdom from Jazz Musicians: DMEP

While at the festival (I was there to critique groups and give a couple clinics on my investigation into practice), I got the chance to chat with Rob Klevan, long-time education director at the fantabulous Monterey Jazz Festival. He turned me on to a new app and interviews that you HAVE to check out if you’re interested in jazz, or any kind of music practice for that matter. This weekend I got to meet one of the featured players, Sal Cracchiolo, before he went up to play a smoking set with the always funky Tower of Power.

This thing goes deep.

Drone Your Way to Excellence

Several months ago I spoke with the fantastic jazz trumpeter Ingrid Jensen about practice. She mentioned that one thing she liked to do was practice with drones, using an Indian instrument called a tanpura (also tampura). She said that playing against a drone was a great way to train your ear/horn coordination. Practicing with a drone allows you to really feel how it sounds to play every note against the tonic, throughout your range. It’s meditative.

Ingrid Jensen
When I hear a great practice idea, I try it, and I’ve been using this one for a while and absolutely love it. I almost immediately noticed a greater ability to match pitch (my fellow musicians mentioned it in rehearsal), and a deeper awareness of sound in general. Part of the reason for this is that playing with the drone makes me aware of where the horn is naturally out of tune, whether because of the way a horn is made or because of the quirks of the harmonic series.

OK-GO for the Win

What do you get when you mashup Blue Man Group with Inspector Gadget and Nascar? Probably something like OK-GO’s new romp of a video for their tune Needing/Getting.
What I love about this video is taking the idea of the size of an instrument to an absurd and wonderful extreme. It’s also a great way to visualize the form of a piece of music, since you can actually see instead of “just” hear where the form repeats. And the question I have is: how the heck do you practice that instrument?

OK-GO for the Win

What happens if you mix Blue Man Group, Inspector Gadget, and Nascar? You’d probably get something like OK-GO’s new video for their tune, Needing/Getting. What I love about this video is taking the idea of the size of an instrument to an absurd and wonderful extreme. It’s also a great way to visualize the form of a piece of music, since you can actually see instead of “just” hear where the form repeats. And the question I have is: how the heck do you practice that instrument?

A New Instrument to Practice: Asalato

Very cool instrument that goes by many names: asalato, kashaka, kess kess, televi, and several others. I just got two and am enjoying the practice, playing quite badly. It’s difficult! There are a load of great instructional vids on youtube. Here’s one with some masterful players and good camera work and lighting. Nice!

The Fruits of Practice Sound Like This: Sidiki Dembele

Yesterday I had the honor of talking with Sidiki Dembele and his wife, Vivian who helped translating some more difficult concepts (thanks, Sidiki and Vivian!).

Sidiki is a fantastic musician from Abidjan, Ivory Coast in West Africa and now living in Manchester, UK. He plays many instruments (ngoni, balafon, kora…), but his main instrument is the djembe. He overcame some serious hardships and put in an amazing amount of time practicing, and it shows.